Orsino
What does Viola Cesario learn about Olivia?
Summary: Act II, scene ii
Malvolio gives
Cesario the ring that Olivia has sent with him
, rebuking him for having left it with Olivia. Viola realizes Olivia's deception and plays along with it, pretending that she did indeed give the ring to Olivia.
How do Sebastian and Viola prove they are siblings?
Viola then reveals that her real identity is hidden by “masculine usurp'd attire”; she is Sebastian's lost twin sister, and she can prove it
by taking them to the home of a sea captain who knows of her disguise
and is keeping her women's clothes for her; however, they must produce Malvolio because he has been holding …
What does Viola tell Orsino about a woman's love?
Virtually Orsino states that women do not have the ability to love as men do. Viola defends her sex valiantly, saying she
knows well the love women feel and the capacity of the female heart
. … Since this conversation transpired between two “men,” Orsino does not feel threatened.
How will Viola keep herself safe in Illyria after she arrives?
How will Viola keep herself safe in Illyria after she arrives? …
To tell Olivia he no longer cares for her because
he is in love with Viola. To deliver flowers to Olivia. To give her a ring.
Is Antonio in love with Sebastian?
Antonio's love for Sebastian becomes so strong,
it appears romantic in nature
. One possible reason for Antonio's attachment is that he rescued Sebastian and nursed him back to health. As Antonio explains, “His life I gave him and did thereto add / My love, without retention or restraint” (5.1.).
Who is Viola in love with?
Viola falls in love with
Duke Orsino
but is unable to tell him how she feels. Viola reveals that she is in fact a girl and marries the Duke.
Why does Viola dress up as Cesario?
In Twelfth Night, Viola dresses as the male Cesario
in order to gain entry into Orsino's court
. … Just as Viola's male disguise enables her to get close to Lady Olivia, dressing as a man allows Viola to experience a great degree of intimacy with Duke Orsino.
Why does Olivia fall in love with Viola?
Olivia quickly falls in love with
the witty Cesario
(Viola's name when she is in disguise) because Cesario is unafraid of saying what he/she is thinking, even though Cesario never says anything nice to Olivia (except, of course, when speaking Orsino's messages).
What act does Viola fall in love with Orsino?
In the mid-19th century Frederick Richard Pickersgill painted a few scenes, including: in
Act 1, Scene 4
after the character Viola is shipwrecked, when she cross-dresses as Cesario, enters the service of Duke Orsino as his page and falls in love with him; and in Act 3, Scene 1 when Olivia declares her love for Cesario …
Why is Viola attracted to Orsino?
Another answer to this question is that Viola falls for Orsino
because he's passionate and poetic
. (He may be a bad poet, but he's a poet nonetheless.) Whatever the reason, one thing is certain: Viola's love, unlike the passions of other characters in the play, is constant and true.
At what point does Viola realize her brother is alive?
Act 2, Scene 1
Sebastian, Viola's brother, is alive and well. He was rescued by a sea captain, Antonio.
How does Orsino compares his love to sea?
But my love's different. It's
as all-consuming and insatiable as the sea
, and it can swallow as much as the sea can. Don't compare a woman's love for a man with my love for Olivia.
Why is Antonio's life at risk in Illyria?
He wants to go out and explore the city, but Antonio declines to join him because he
is afraid of being caught
in Illyria because he has had a conflict with Orsino in the past.
Why do Viola and Feste get along?
Why do viola and Feste seem to get along so well?
They are both intelligent
. What is Olivia so concerned with that she keeps asking Cesario to tell her? She wants to know what Cesario thinks of her.
What are Maria's feelings for Sir Toby?
Maria is shown to have a
friendly relationship
with Sir Toby Belch, and exhibits a witty attitude. Maria also forges a love letter to Malvolio which results in Malvolio being confined to a dark room (a treatment for madness).
