Cella, Greek Naos, in Classical architecture, the body of a temple (as distinct from the portico) in which
the image of the deity is housed
. … In the Byzantine architectural tradition the naos was preserved as the area of a centrally planned church, including the core and the sanctuary, where the liturgy is performed.
Do Greek temples have a single cella?
Greek Temples Etruscan Temples | Cella: One room. Three rooms. | Pediment: Closed and decorated with sculpture. Open and not decorated. | Sculpture: In pediments, metopes, and frieze. On the roof. |
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What did Greek temples have inside?
Greek temples were grand buildings with a fairly simple design. The outside was surrounded by a row of columns. Above the columns was a decorative panel of sculpture called the frieze. … Inside the temple was
an inner chamber that housed the statue of the god or goddess of the temple
.
What are the parts of a Greek temple?
The Greek temple may be divided vertically into three parts:
floor, columns, and entablature
. Each of these parts may be divided into three again.
What was held in the cella the interior space of the Parthenon?
The cella of the Parthenon housed
the chryselephantine statue of Athena Parthenos
sculpted by Phidias and dedicated in 439 or 438 BC. The appearance of this is known from other images. The decorative stonework was originally highly colored.
Why do Greek temples face east?
As marble is not entirely opaque, those naoi may have been permeated with a distinctive diffused light. For cultic reasons, but also to use the light of the rising sun, virtually all Greek temples were
oriented with the main door to the east
.
Why did they build Greek temples?
Ancient Greek temples were built in
order to house the many sculptures of the various deities
. The ancient Greeks used the temples as the sacred place whereby they would be able to leave specific types of offerings.
What is Greek cella?
Cella,
Greek Naos
, in Classical architecture, the body of a temple (as distinct from the portico) in which the image of the deity is housed. In early Greek and Roman architecture it was a simple room, usually rectangular, with the entrance at one end and with the side walls often being extended to form a porch.
What is the difference between Etruscan and Greek temples?
Etruscan temples rested on a podium that was only
accessible
from steps at the front instead of from steps on all sides like Greek temples. Absence of a peristyle. Etruscan temples had columns only on the front rather than a peristyle around all four sides as many Greek temples did. Building-wide cella.
How were Etruscan temples different from most Greek temples?
Unlike Greek temples, which were made of the more stable medium of stone,
Etruscan temples were made of wood and mud brick
. … Etruscan columns were usually at the front of the building to create a deep porch, while Greek columns were placed symmetrically.
What are the 5 main parts of a Greek temple?
- Stereobate (or substructure).
- Stylobate.
- Colonnade (or peristyle).
- Porch (or pronaos).
- Cella (or naos).
- Rear porch (or opisthodomus).
What is a metope in Greek?
:
the space between two triglyphs of a Doric frieze often adorned with carved work
.
What are the three main parts of a Greek temple?
It is divided into three parts:
architrave, frieze, and cornice
.
Did Lord Elgin steal the marbles?
Greece has disputed the British Museum's ownership of the sculptures, maintaining that
Lord Elgin removed them illegally while the country was under Turkish occupation
as part of the Ottoman Empire.
What God was the Parthenon built for?
The Parthenon is a resplendent marble temple built between 447 and 432 B.C. during the height of the ancient Greek Empire. Dedicated to
the Greek goddess Athena
, the Parthenon sits high atop a compound of temples known as the Acropolis of Athens.
Who bombed the Parthenon?
Indeed, few cultural monuments demonstrate this more perfectly than the Athenian Parthenon, which was unceremoniously bombed in 1687 by
a Venetian-led army of mercenaries hired by Poland, Venice, and the Vatican
—the very Europeans whose culture it is meant to embody—to push the Ottoman Turks out of Europe.