Church of San Vitale, also called Basilica of San Vitale
, church in Ravenna, Italy, that was built in the 6th century and is considered a masterpiece of Byzantine achitecture.
What are four key features of the Church of San Vitale in Ravenna Italy?
The building
combines Roman elements: the dome, shape of doorways, and stepped towers; with Byzantine elements
: polygonal apse, capitals, narrow bricks, and an early example of flying buttresses. The church is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople.
Which emperor built a church in Ravenna?
The Church of San Vitale, the masterpiece of Byzantine art in Ravenna, was completed during the reign of
the emperor Justinian
. The church was begun by Bishop Ecclesius under the Ostrogothic queen Amalasuntha (d. 535) and was consecrated in 547.
Did Theodora visit Ravenna?
The Justinian and Theodora Mosaics in San Vitale
(
Justinian never actually visited Ravenna
.) … He is surrounded by court officials and church leaders, of which Bishop Maximianus was the only one to manage working his name into the mosaic. On the southern apse sidewall is the Theodora Mosaic.
Why was Basilica Novo made?
This Arian church was originally dedicated in 504 AD to “Christ the Redeemer”. … Suppressing the Arian church, the church was
dedicated to Saint Martin of Tours
, a foe of Arianism.
How did Rome fall?
Invasions by Barbarian tribes
The most straightforward theory for Western Rome’s collapse pins the fall on a
string of military losses sustained against outside forces
. Rome had tangled with Germanic tribes for centuries, but by the 300s “barbarian” groups like the Goths had encroached beyond the Empire’s borders.
What preceded the Roman Empire?
Preceded by Succeeded by | Roman Republic Western Roman Empire Eastern Roman Empire |
---|
What does the halo signify in this mosaic from Ravenna?
She is crowned with a halo signifying
her divinity and her role as co-regent
.
What is Justinian holding in his mosaic?
The clergy and Justinian carry in sequence from right to left a censer, the gospel book, the cross, and
the bowl for the bread of the Eucharist
. … Justinian’s gesture of carrying the bowl with the bread of the Eucharist can be seen as an act of homage to the True King who appears in the adjacent apse mosaic (image left).
What did iconoclasts believe?
Iconoclasm (from Greek: εἰκών, eikṓn, ‘figure, icon’ + κλάω, kláō, ‘to break’) is the
social belief in the importance of the destruction of icons and other images or monuments
, most frequently for religious or political reasons.
What was Theodora’s last name?
Theodora Surname User-submission:
Teedra
is the mispronunciation or short form of Queen Theodora, an empress of the Byzantine Empire. Queen Theodora is a saint in the Eastern Orthodox Church, as she was a very influential and powerful empress.
What accounts for the fragmentary knowledge of Byzantine art prior to the ninth century?
What accounts for the fragmentary knowledge of Byzantine art prior to the ninth century?
The nave of the Hagia Sophia was exclusively reserved for the clergy
. The laity or congregation was confined to the aisles and galleries. … The seventh and eighth centuries were a period of turmoil for Byzantium.
What is Byzantine mosaic art?
Byzantine mosaics are
mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire
. Mosaics were some of the most popular and historically significant art forms produced in the empire, and they are still studied extensively by art historians.
Who built Santa Sabina?
Santa Sabina was built by
Peter of Illyria
, a Dalmatian priest, between 422 and 432 near a temple of Juno on the Aventine Hill in Rome.
What was the Santa Sabina used for?
Basilicas—a type of building used by the ancient Romans for diverse functions including
as a site for law courts
—is the category of building that Constantine’s architects adapted to serve as the basis for the new churches.
Where is the narthex in a church?
Narthex, long, narrow, enclosed porch, usually colonnaded or arcaded,
crossing the entire width of a church at its entrance
.