How Do You Make A Monologue Stand Out? - Fixanswer

Castability. Choose something in your age range and gender, where the language is colloquial and a comfortable fit for who you are. ...
Relationship. Select material where your character is talking to one specific individual. ...
Conflict. ...
Clarity. ...
Response points. ...
A Button. ...
Owning your space.

How do you pick a monologue?

Choose material that fits you right now. ...
Choose a monologue that’s active. ...
Don’t do experimental, nonlinear work. ...
Choose a piece that showcases your acting, not some other skill. ...
Don’t do a monologue from a production you’ve performed.

What is a good example of monologue?

A monologue involves one character speaking to another. A better example of a monologue is Polonius’ speech to his son, Laertes, before Laertes goes to France . Here, he gives advice for how Laertes should conduct himself overseas.

What should you not do in a monologue?

Select a monologue that shows off your diverse acting skills.
Select an age appropriate monologue. Avoid using something that you used several years ago.
Know your audition time limits. ...
Avoid a monologue that includes excessive swearing, violence, or sex.

What makes a great monologue?

Often rather than literal length, it’s the rhythm and tone of a speech coupled with that length that makes it a monologue. A monologue is a character talking for a long time. ... A great monologue will capture the audience’s attention and imagination with length and tone but cut short just at the right time.

How long should a monologue be in words?

Is the monologue the right length? Most monologues should be no longer than a minute and half , or about 20 to 30 lines, unless you’ve been directed otherwise. Less is almost always more.

What are good monologues for auditions?

Beautiful Day.
Protective Shield.
Smile Pretty, Alice.
I Can’t Win.
Contents Flammable.
Don’t Leave Me Without Muffin.
Attention.
Two Shades Away.

What is the difference between monologue and dramatic monologue?

Monologue, in literature and drama, an extended speech by one person. ... A dramatic monologue (q.v.) is any speech of some duration addressed by a character to a second person.

Is a monologue in first person?

Although monologues articulate only one character’s thoughts , they can appear in texts that use any point of view. ... Third-person works, in which the narrator calls characters by name, can include interior monologues from the narrator’s or another character’s perspective.

What are the key features of a monologue?

A monologue is a poem that shares many features with a speech from a play: one person speaks , and in that speech there are clues to his/her character, the character of the implied person or people that s/he is speaking to, the situation in which it is spoken and the story that has led to this situation.

What are the two types of monologue?

There are two basic types of monologues in drama: Exterior monologue : This is where the actor speaks to another person who is not in the performance space or to the audience. Interior monologue: This is where the actor speaks as if to himself or herself.

What is a monologue for kids?

definition 1: a long speech or reading given by a single speaker . The host usually begins this comedy show with a monologue.

Where do you look when performing a monologue?

If you happen to be auditioning for the theater, breaking the fourth wall and looking directly into the lens would be acceptable as long as it’s indicated in the play. However, when taping a monologue for a film or television audition, you should adjust to adhere to a film and television format .

Can you make up your own monologue?

Avoid monologues you’ve written yourself —unless you’re really, really good. Performing your own material is risky. Casting directors may focus on the quality of your writing, instead of your acting. ... Keep the casting directors focused on your performance, not wondering why you didn’t choose a published piece.

How do you master a monologue?

Read the entire monologue aloud, one time. Don’t rush.
Read each sentence, aloud, making sure you fully understand each one before moving on to the next. Look up words you don’t understand. ...
Underline all the verbs. ...
Mark the beginning section, the middle section, and the end section.