The famous line that begins Prince Hamlet's soliloquy in Shakespeare's Hamlet, “To be, or not to be, that is the question” is probably the most cited statement in all classical drama. … “To be or not to be
” is in fact, not the question
. It is the wrong question.
What does this line mean to be or not to be that is the question?
What's the meaning of the phrase ‘To be or not to be, that is the question'? Shakespeare's line ‘to be or not to be' is usually interpreted as meaning ‘
is it better to live or to die'?
Is it to not be or not to be?
To not be or not to be — that is the question. … It turns out that the real rule is a
question of clarity and style and not grammar
. It's not wrong either way, but if one construction makes your sentence more clear or more emphatic, then you can use it.
Which two questions does Hamlet ask in his To be or not to be?
When Hamlet asks “To be or not to be?”, he is
asking himself whether it is better to be alive—and suffer what life offers—or to be dead by one's own hand and end the suffering
.
What is the answer To be or not to be?
The answer to the question, “To be, or not to be”, is, “
Yes”
. Er, right … so that's that then. Alternatively, there's a particular term for a logical expression that always comes out true, whatever the inputs are. It's called a tautology (a slightly refined usage of the general English meaning).
WHO SAID TO BE OR NOT TO BE?
Full Text: “To Be, or Not to Be, That Is the Question” The famous “To be or not to be” soliloquy comes from William Shakespeare's play Hamlet (written around 1601) and is spoken by
the titular Prince Hamlet
in Act 3, Scene 1.
What is Hamlet's tragic flaw?
The word ‘tragic flaw' is taken from the Greek concept of Hamartia used by Greek philosopher Aristotle in his Poetics. Shakespeare's tragic hero Hamlet's fatal flaw is his failure to act immediately to kill Claudius, his uncle and murderer of his father. His tragic flaw is ‘
procrastination
‘.
Do be or not to be?
“To be, or not to be” is the
opening phrase of a soliloquy given by Prince Hamlet in
the so-called “nunnery scene” of William Shakespeare's play Hamlet, Act 3, Scene 1. In the speech, Hamlet contemplates death and suicide, bemoaning the pain and unfairness of life but acknowledging that the alternative might be worse.
Who is Hamlet talking to in To be, or not to be?
Polonius
hears Hamlet coming, and he and the king hide. Hamlet enters, speaking thoughtfully and agonizingly to himself about the question of whether to commit suicide to end the pain of experience: “To be, or not to be: that is the question” (III.
Which Hamlet soliloquy is most important?
Hamlet:
‘To Be Or Not To Be, That Is The Question
‘ ‘To be or not to be, that is the question' is the most famous soliloquy in the works of Shakespeare – quite possibly the most famous soliloquy in literature.
Can we not meaning?
We sometimes use ‘Can we not
(do something)?
‘ to express the fact that we really don't like this thing, and we don't want to do it. This use of ‘Can we not (do something)? ‘ is very informal – and it's more common in America, but British people have started to use it too.
What scene is to be or not to be?
Hamlet, Act III, Scene I
[To be, or not to be] by William Shakespeare – Poems | poets.org.
Who says to be or not to be that is the question?
While
William Shakespeare's
reputation is based primarily on his plays, he became famous first as a poet.
Who kills Hamlet?
Hamlet confronts Laertes, Ophelia's brother, who has taken his father's place at the court. A duel is arranged between Hamlet and Laertes. During the match,
Claudius
conspires with Laertes to kill Hamlet.
What is Hamlet saying in his first soliloquy?
Summary of Hamlet's First Soliloquy
In the first two lines of the soliloquy, he wishes that his physical self might cease to exist on its own without requiring him to commit a mortal sin:
“O that this too too solid flesh would melt, Thaw, and resolve itself into a dew!”
What is Hamlet's famous question?
Hamlet's question concerns
suicide
: He considers whether “to be,” that is “in the mind to suffer the slings and arrows of outrageous fortune,” or, alternatively, “not to be,” that is, “to die, to sleep … and by a sleep, to say we end the heart-ache, and the thousand natural shocks that flesh is heir to.”
