- “Rêveries – Passions” (Reveries – Passions) – C minor/C major.
- “Un bal” (A Ball) – A major.
- “Scène aux champs” (Scene in the Fields) – F major.
- “Marche au supplice” (March to the Scaffold) – G minor.
- “Songe d'une nuit du sabbat” (Dream of a Witches' Sabbath) – C minor/C major.
What is the first movement of Symphonie fantastique?
Symphonie fantastique is nothing less than Berlioz's extravagant attempt to attract Harriet's attention. The piece begins by introducing the listener to the vulnerable side of the protagonist, the Artist. The object of the Artist's love is represented by an elusive theme called the “idée fixe” –
the object of fixation
.
What is the movement structure of Symphonie fantastique?
There are
five movements
, instead of the four movements that were conventional for symphonies at the time: Rêveries – Passions (Reveries– Passions) Un bal (A Ball) Scène aux champs (Scene in the Fields)
How many movements are there in the sequence of Symphonie fantastique?
The symphony lasts about 45 minutes and is divided into
5 movements
. Berlioz himself wrote down the story that the music describes, just as Beethoven had done with his Sixth Symphony.
What is the title of the fifth movement of Symphonie fantastique?
Theme from
“Songe d'une nuit de sabbat” (“Dream of the Witches' Sabbath”)
, the fifth movement of Hector Berlioz's Symphonie fantastique, Op. 14; from a 1950 recording by the San Francisco Symphony Orchestra conducted by Pierre Monteux.
Is Symphonie Fantastique homophonic?
A homophonic chordal texture
is presented in the Religiosamente ending (bar 511). Central to the melodic writing of Symphonie Fantastique is the idée fixe (a recurring theme which serves as a structural device). This theme is heard in all five movements of the work. … It is then repeated, altered down a fourth in bar 80.
What meter is Symphonie Fantastique?
Back to Top. This form corresponds to that of an ordinary scherzo, or any number of dance-like movements found in nineteenth-century symphonic works. The idée fixe, like a vision amid the tumult of the dance, appears, transformed into
triple meter
, in the middle of the movement (p. 40), then vanishes.
What is Symphonie Fantastique based on?
Berlioz went on to write various works inspired by Shakespeare, including Roméo et Juliette and Béatrice et Bénédict, and
his infatuation with Smithson
inspired his great Symphonie fantastique. Berlioz's obssession with Smithson grew. He rented rooms near her and sent her letters – but to no avail.
What movies has Symphonie Fantastique been in?
- “Toccata and Fugue in D minor (BWV 565)”
- Film: “The Black Cat” (1934)
- “Black Angels”
- Film: “The Exorcist” (1973)
- “Symphonie Fantastique”
- Film: “The Shining” (1980)
- “Danse Macabre”
- Film: “Tombstone” (1993)
What movement of Symphonie Fantastique is also known as a dream?
Fifth Movement
: “Songe d'une nuit du sabbat” (Dream of the Night of the Sabbath)
Are there multiple versions of Symphonie Fantastique?
Symphonie Fantastique: the symphony's programme (
1845 and 1855 versions
) [Note: between 1830 and 1855 Berlioz made a number of changes to the programme of the symphony, which is given here in the two principal versions, that of the first edition of the score in 1845, and that of 1855.
What is the category of Symphonie Fantastique?
English: Symphonie fantastique (Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts) Op. 14, is
a program symphony
written by the French composer Hector Berlioz in 1830.
What is the Dies Irae in Symphonie Fantastique?
Dream of a Witches' Sabbath
Later comes a monstrous parody of the Dies
Irae (‘Day of Wrath', from the Latin Mass for the Dead)
. The dance of the witches is combined with the Dies Irae.
Why are Symphonie Fantastique programs?
Hector Berlioz's Symphonie fantastique is a celebrated example of program music. In contrast to abstract instrumental music (that is, music without pictorial or verbal allusions), program
music intentionally re-creates visual and literary ideas by musical means
.
What is a idee fixe?
Idée fixe, (French: “fixed idea”) in music and literature,
a recurring theme or character trait that serves as the structural foundation of a work
. The term was later used in psychology to refer to an irrational obsession that so dominates an individual's thoughts as to determine his or her actions.
What happens to the dynamic level each time the second theme is introduced?
What happens to the dynamic level each time the second theme is introduced? …
Both themes share the same dotted-note rhythm. The music gets softer.
