The Philosophical stake is the reason to why the character believes the Internal stake is something they should be running from. It is the reason we can see the character change at the end. The Philosophical stake is
an argument that spans throughout the story
. For example; “Will freedom win over oppression?”
What are external stakes?
And that means
something in the external life circumstances of the main character and/or other people the audience cares about
(not just something within a character that needs to change). Of course, different genres have different kinds of stakes.
What are Internal stakes?
Internal stakes are
emotional or mental
. Gum is a comfort food for your character or a security blanket. Why? Because it reminds her of someone who believed in her. Internal stakes might include a quest for self-confidence, a feeling of love, or hope.
What is a stake character?
Stakes Character. The final character that makes up the triangle of conflict is the actual Stakes Character —
the person in the script who personifies what’s at stake for the protagonist
.
Why do stories need stakes?
Your story’s stakes
keep readers so well engaged because they appeal to your readers’ emotions and senses
. Taking extra care to amplify these items throughout your story can go a long way in continuing to engage your readers on every single page.
What is an example of internal and external conflict?
In fiction, ‘internal conflict’ refers to a character’s internal struggle. A character might struggle with an emotional problem such as
fear of intimacy or abandonment
, for example. … External conflict, on the other hand, refers to the conflicts between a character and external forces.
What are the 4 types of internal conflict?
- Religious conflict. Religious conflicts occur when a character’s thoughts or feelings contradict their religious beliefs. …
- Moral conflict. …
- Self-perception conflict. …
- Love conflict. …
- Political conflict. …
- Societal conflict. …
- Existential conflict. …
- Develop your character.
What are the stakes in a story?
Story stakes literally refer
to what is at stake for your protagonist throughout the novel
. To define a story’s stakes, you need to ask questions like: What does the protagonist stand to lose through the story’s central conflict? What do they stand to gain?
What does it mean when stakes are high?
From Longman Dictionary of Contemporary English high stakesa) if the stakes are high when you are trying to do something,
you risk losing a lot or it will be dangerous
if you fail Climbing is a dangerous sport and the stakes are high.
What does it mean by low stakes?
Low stake situation means it’s
a low risk situation
. Something with very minimal loss if you fail it.
What is another word for high stakes?
win-or-lose dogged | inflexible rigid | tenacious uncompromising | unrelenting unyielding | winner-take-all zero-sum |
---|
What is at stake in an argument?
This definition is in line with a common use of the word “stake.” In colloquial English, “at. stake” means
being risked or hazarded
. In the context of interpersonal arguing, argument. stakes are the things that are being risked or hazarded during the argument.
What does emotional stake mean?
Emotional stake means
you had a particular emotional interest in the outcome
, perhaps if your children were playing against each other on different teams. This would tie in with your example. A sibling rivalry would be the perfect example of competing emotional stakes.
How do you increase stakes?
- Make It About Your Character. …
- Focus on One Character at a Time. …
- Don’t Zoom Out Too Fast Too Soon. …
- Focus on the Emotion in the Scene. …
- Ask Questions to Uncover What’s at Stake. …
- Final Thoughts.
What is the difference between story and plot?
The story is about the who, what, and where within your concept. The plot is about the how, when, and
why everything within that story happens
. Plot frames can be used to help you figure all of that out.
What is the most important character called?
Protagonist
: The main character of the story is the protagonist.