Mary Shelley uses figurative language in her novel Frankenstein in the form of
personification, symbolism, simile, and metaphor
.
What literary devices were used in Frankenstein?
- Foreshadowing. Throughout Frankenstein there are many examples of foreshadowing. …
- Allusions. Many allusions are made in Frankenstein. …
- Symbols. …
- Themes. …
- Allegory. …
- Archetype. …
- Catastrophe. …
- Tone.
Allusions
in writing prompt a better understanding of the author’s text by referencing another commonly known work. Allusion became a popular literary technique during the romantic period and was efficaciously used by both Coleridge and Shelley.
What literary allusion is found in the letters of Frankenstein?
He alludes to
Samuel Taylor Coleridge’s poem, The Rime of the Ancient Mariner
. This one poem helped launch the Romantic period and gives us a story of a man banished for killing an albatross while at sea.
What is the irony in Frankenstein?
One of the big examples of irony in Frankenstein is that
Victor set out to artificially create life
, and in doing so successfully, the monster which he brought to life reigned death upon his family, systematically killing each of Victor’s loved ones one at a time.
What does Frankenstein’s monster symbolize?
The monster represents
the conscience created by Victor, the ego of Victor’s personality
— the psyche which experiences the external world, or reality, through the senses, that organizes the thought processes rationally, and that governs action.
What is literary devices in a story?
Literary devices are
specific techniques that allow a writer to convey a deeper meaning that goes beyond what’s on the page
. Literary devices work alongside plot and characters to elevate a story and prompt reflection on life, society, and what it means to be human.
What is the metaphor in Frankenstein?
The monster itself
is a metaphor for humanity. “The world was to me a secret, which I desired divine.” “We passed a fortnight in these perambulations: my health and spirits had long been restored, and they gained additional strength from the salubrious air I breathed, the natural incidents of our progress…”
What is the overall tone of Frankenstein?
The tone of Frankenstein is
largely bleak and despairing
. The tone begins with optimism from the perspective of Captain Walton who is excited and hopeful about his Arctic voyage.
What literary allusion is found in these first pages?
The allusion found in these first pages is to
the poem Ancient Mariner
.
What is an allusion in literature?
Allusions are generally regarded as
brief but purposeful references
, within a literary text, to a person, place, event, or to another work of literature. … An allusion is not a deep meditation, but a passing signal that can sometimes escape notice if you’re not reading carefully.
What kind of man is the master of Walton’s ship?
What kind of man is the master of Walton’s ship? He is
gentle, mild in discipline, integrity, courage
, and has an excellent disposition.
Why is Caroline Frankenstein death ironic?
Caroline Beaufort Frankenstein’s death is ironic because
it is actually Elizabeth Lavenza who gets sick first
. Elizabeth contracts scarlet fever, and her illness is quite bad, putting her in “the greatest danger.” Mrs.
What is ironic about the ending of Frankenstein?
At the end of Frankenstein,
Victor Frankenstein dies wishing that he could destroy the Monster he created
. … By contrast, the Monster demonstrates that he has learned a great deal over the course of the book. He has outgrown anger, envy and vengefulness. He regrets what he has done.
What is the main message of Frankenstein?
Shelley’s most pressing and obvious message is that
science and technology can go to far
. The ending is plain and simple, every person that Victor Frankenstein had cared about met a tragic end, including himself. This shows that we as beings in society should believe in the sanctity of human life.
Is Frankenstein’s monster beautiful?
Shelley described Frankenstein’s monster as an 8-foot-tall (2.4 m) creature of hideous contrasts: His limbs were in proportion, and
I had selected his features as beautiful
. Beautiful! … Early stage portrayals dressed him in a toga, shaded, along with the monster’s skin, a pale blue.
